Meet the Artist
ARTIST’S STATEMENT
Witchy. Gothic. Somatic. Vulnerable. Beautiful. Tender. Playful.
These are the qualities that are prescribed to my work by viewers in every setting.
I create artistic commentary on the current zeitgeist by employing sculpture, ceramics, and paint to create accessible works that distill complex ideas so they are relatable and accessible to everyone.
I create artwork that holds a mirror up to facets of our culture and the current zeitgeist, encouraging reflection and conversation. My work distills concepts and experiences in an accessible way, enticing everyday people to join me in reflection and empathy.
I tackle a lot of wistful, melancholic, and serious themes, but my work is often initially read as whimsical or animated. This is both innate and intentional. I strive to find familiar and unfrightening ways to communicate my narratives, and this makes the work approachable and deceptively playful. Meanwhile underneath, the stories are often heavy, emotional, dark; or sometimes rich, bittersweet, and beautiful.
I am a person who has experienced ‘otherness’ for most of their life—starting as an impoverished child with an invisible disability, then deepening when I later came out as queer, and again when I was gender dysphoric. These differences were doubly confronting to my family who were active members in a pseudo-Christian cult for most of my teens and twenties. Learning to mask, hide, and unveil oneself with great care became part of my natural movements through the world. I use my art to express feelings that were never given safe space in my life, and I think my work reflects that longstanding repression.
As I’ve aged in this female-assigned body, I have observed our world through feminine eyes and an aging female form. I sculpt women because I have lived in a female body all my life, with all the universal experiences that come with it. The female form is inherently political; working with femininity in a time of fascism and industrialization is a radical act. Fauna share the same connotations of vulnerability, intuition, and nonverbal expression, and I often employ animal forms as metaphor, folklore, legend, or abstraction.
To create work that expresses my struggles, grief, and experiences means to lead with vulnerability; each piece reflects me, and begs the question, “This is my reality; can you relate?” For this reason, my art speaks to the soft-hearted, the vulnerable, and those open to seeing beyond the surface of life.
BIOGRAPHY
Jordan Danger is an award-winning Canadian artist working across ceramics, sculpture, painting, writing, and teaching. With an early foundation as a Key Animator, Danger developed a strong visual language rooted in illustration, movement, and storytelling—elements that continue to shape a dynamic, multidisciplinary practice.
Over the past decade, Danger has become deeply engaged with ceramics, evolving into a sculptor whose work moves fluidly between fine art and craft. Their practice explores intersections: between disciplines, between identities, and between internal experience and outward form. Drawing from lived experience as a member of the LGBTTQ community and as a person with invisible disabilities, Danger’s work is grounded in the tension between what is felt and what is seen. Chronic pain, bodily unpredictability, and non-visible identity inform an ongoing inquiry into the “hidden self” and the ways it is expressed, concealed, or transformed.
Danger’s background in animation remains central to their approach. Gesture, stylization, and controlled exaggeration are used to imbue still forms with a sense of movement and emotional resonance. Through bold colour and expressive form, their work invites viewers into a space that is at once playful and quietly disarming.
A committed advocate for equity in the arts, Danger actively cultivates community among women and gender-diverse artists, challenging persistent biases within the field.
Danger has presented four solo exhibitions in municipal galleries, and has exhibited with the Ottawa Art Gallery, Cline House Gallery, and W Gallerie. They are a multi-time award recipient at the Ottawa Potters Guild, including Best Sculpture (2021, 2024) and People’s Choice (2025). Most recently, Danger completed a year-long appointment as Artist in Residence in Government with the City of Ottawa, developing public art projects using repurposed and diverted materials.
Their practice continues to expand, integrating traditional and reclaimed materials in increasingly ambitious ways.
Award-Winning Works
WINNER,
Best Sculptural Work, 2024
Ottawa Guild of Potters juried exhibition
WINNER,
Best Sculptural Work, 2020
Ottawa Guild of Potters juried exhibition
WINNER,
People’s Choice Award, 2025
Ottawa Guild of Potters juried exhibition
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