AIRSPACE: Understanding the landfill crisis
A series created by Jordan during her tenure as Artist in Residence for the City of Ottawa
The Catalogue
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Airspace I
HxWxL
Salvaged magazines, paper, clothing, barnboard.
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Buried Sun
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Salvaged magazines, paper, jewellery, found objects, and commercial canvas print.
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Landscape at Night
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Salvaged magazines, paper, clothing, book pages, jewellery, beads, found objects, stretched canvas.
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What Makes America?
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Salvaged upholstery, fabric, denim, toys, objects, nail polish, on a discarded floor board.
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Spring
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Salvaged clothing, book pages, jewellery, nailpolishes, magazines, paper, stretched canvas.
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Material Girl
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Salvaged ‘vegan leather’, cosmetics, nail polishes, extruded 3D printer plastic, on a discarded floorboard.
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Racoon: Full Bellies
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Salvaged iron lantern, bedsheets, textiles, and extruded plastic leavings from 3D printing.
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Coyote
HxWxL
Salvaged broken lamp, bedsheets, leftover cotton string, faux fur.
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Crow I
Salvaged broken lamp, bedsheets, curtains, leftover cotton string, faux fur.
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Fox
Salvaged broken lamp, bedsheets, leftover cotton string, faux fur.
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Gull
Salvaged broken lamp, bedsheets, leftover cotton string, faux fur.
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Vulture
Salvaged broken lamp, bedsheets, leftover cotton string, faux fur.
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Portrait of a Department
Jordan Danger
8’x2’x2’
Materials: Acrylic tube holding salvaged paper, clothing, and materials from the SWS department.
his piece is the centerpiece of the Airspace series. It’s a portrait of the Solid Waste Services department, built using the same method they use to manage landfill space: compression and vertical stacking. Every material in the sculpture was discarded by the department itself, making it a literal and symbolic representation of the organization. Visually, it resembles a core sample — layered, dense, and stratified — which also works metaphorically, since both core samples and portraits capture a moment in time.